SPRING 2024 — ORIGINS ISSUE
On the cover
The print cover of the spring issue features artwork from Michigan artist Alan Compo
ARTIST STATEMENT BY ALAN COMPO
I am an Anishinaabek Artist from the Grand River Bands of Ottawa Indians, and Little Traverse Bay Band of Odawa. I create paintings of the stories, culture and Circles I’ve grown up within. Since the beginning of my art-making career, these stories have always found their voice within my work. These connected Circles within Circles that tell stories of living art, and lessons to be found.
I start with an idea of one of these stories, and allow it to branch out into baskets, floral patterns, and, in essence, its own Spirit. I use color and patterns other Anishinaabek may recognize as being a part of Our stories.
These stories and patterns are not mine alone. They are created with the many Circles of Anishinaabek, family and Spirit that have helped me bring them out, within my way of creating. My work allows me to be apart of that voice of our land, and its multilayered narrative.
Ngushe Aki, “Mother Earth,” was created to tell a story of beginning, strength, and growth. I want my art to be another extension of the viewer’s Circles, and for them to be inspired, learn, and ask questions.
On the cover
The print cover of the spring issue features artwork from Michigan artist Alan Compo
ARTIST STATEMENT BY ALAN COMPO
I am an Anishinaabek Artist from the Grand River Bands of Ottawa Indians, and Little Traverse Bay Band of Odawa. I create paintings of the stories, culture and Circles I’ve grown up within. Since the beginning of my art-making career, these stories have always found their voice within my work. These connected Circles within Circles that tell stories of living art, and lessons to be found.
I start with an idea of one of these stories, and allow it to branch out into baskets, floral patterns, and, in essence, its own Spirit. I use color and patterns other Anishinaabek may recognize as being a part of Our stories.
These stories and patterns are not mine alone. They are created with the many Circles of Anishinaabek, family and Spirit that have helped me bring them out, within my way of creating. My work allows me to be apart of that voice of our land, and its multilayered narrative.
Ngushe Aki, “Mother Earth,” was created to tell a story of beginning, strength, and growth. I want my art to be another extension of the viewer’s Circles, and for them to be inspired, learn, and ask questions.